front cover of A Fire Bell in the Past
A Fire Bell in the Past
The Missouri Crisis at 200, Volume I, Western Slavery, National Impasse
Jeffrey L. Pasley
University of Missouri Press, 2021
Many new states entered the United States around 200 years ago, but only Missouri almost killed the nation it was trying to join. When the House of Representatives passed the Tallmadge Amendment banning slavery from the prospective new state in February 1819, it set off a two-year political crisis in which growing northern antislavery sentiment confronted the southern whites’ aggressive calls for slavery’s westward expansion. The Missouri Crisis divided the U.S. into slave and free states for the first time and crystallized many of the arguments and conflicts that would later be settled violently during the Civil War. The episode was, as Thomas Jefferson put it, “a fire bell in the night” that terrified him as the possible “knell of the Union.”

Drawing on the participants in two landmark conferences held at the University of Missouri and the City University of New York, this first of two volumes finds myriad new perspectives on the Missouri Crisis. Celebrating Missouri’s bicentennial the scholarly way, with fresh research and unsparing analysis, this eloquent collection of essays from distinguished historians gives the epochal struggle over Missouri statehood its due as a major turning point in American history.

Contributors include the editors, Christa Dierksheide, David N. Gellman, Sarah L. H. Gronningsater, Robert Lee, Donald Ratcliffe, Andrew Shankman, Anne Twitty, John R. Van Atta, and David Waldstreicher.

 
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front cover of A Fire Bell in the Past
A Fire Bell in the Past
The Missouri Crisis at 200, Volume II: “The Missouri Question” and Its Answers
Jeffrey L. Pasley
University of Missouri Press, 2021
Many new states entered the United States around 200 years ago, but only Missouri almost killed the nation it was trying to join. When the House of Representatives passed the Tallmadge Amendment banning slavery from the prospective new state in February 1819, it set off a two-year political crisis in which growing northern antislavery sentiment confronted the aggressive westward expansion of the peculiar institution by southerners. The Missouri Crisis divided the U.S. into slave and free states for the first time and crystallized many of the arguments and conflicts that would later be settled violently during the Civil War. The episode was, as Thomas Jefferson put it, “a fire bell in the night” that terrified him as the possible “knell of the Union.”

Drawn from the of participants in two landmark conferences held at the University of Missouri and the City University of New York, those who contributed original essays to this second of two volumes—a group that includes young scholars and foremost authorities in the field—answer the Missouri “Question,” in bold fashion, challenging assumptions both old and new in the long historiography by approaching the event on its own terms, rather than as the inevitable sequel of the flawed founding of the republic or a prequel to its near destruction.

This second volume of A Fire Bell in the Past features a foreword by Daive Dunkley. Contributors include Dianne Mutti Burke, Christopher Childers, Edward P. Green, Zachary Dowdle, David J. Gary, Peter Kastor, Miriam Liebman, Matthew Mason, Kate Masur, Mike McManus, Richard Newman, and Nicholas Wood.
 
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front cover of Historians on Hamilton
Historians on Hamilton
How a Blockbuster Musical Is Restaging America's Past
Romano, Renee C
Rutgers University Press, 2018
America has gone Hamilton crazy. Lin-Manuel Miranda’s Tony-winning musical has spawned sold-out performances, a triple platinum cast album, and a score so catchy that it is being used to teach U.S. history in classrooms across the country. But just how historically accurate is Hamilton? And how is the show itself making history?

Historians on Hamilton brings together a collection of top scholars to explain the Hamilton phenomenon and explore what it might mean for our understanding of America’s history. The contributors examine what the musical got right, what it got wrong, and why it matters. Does Hamilton’s hip-hop take on the Founding Fathers misrepresent our nation’s past, or does it offer a bold positive vision for our nation’s future? Can a musical so unabashedly contemporary and deliberately anachronistic still communicate historical truths about American culture and politics? And is Hamilton as revolutionary as its creators and many commentators claim?

Perfect for students, teachers, theatre fans, hip-hop heads, and history buffs alike, these short and lively essays examine why Hamilton became an Obama-era sensation and consider its continued relevance in the age of Trump. Whether you are a fan or a skeptic, you will come away from this collection with a new appreciation for the meaning and importance of the Hamilton phenomenon.
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